Original music, under my own name.

What you will find here

Most “artist sites” in 2026 are a photo, three streaming badges, and a mailing list. I built excavationpro.ca as a place to read as well as click. The music is real. The writing is mine. If you came from a review, an ad, or a search for independent hip-hop that is actually free to hear, stay on this domain long enough to understand the deal.

The deal is simple. You can listen. You can download copies I offer for your own headphones. You cannot sell the tracks, rebrand them as a beat pack, or pretend you wrote them. I keep the masters. Hosting a large public catalog costs money; ads and optional tips help keep the lights on. Ads never unlock the music. Tips never buy the rights.

If you want the denser live room — Rumble, Kick, tool maps — that still exists at /hub.html. It is a workshop. This homepage is the front door for people who came for songs and sentences.

I also want to be explicit about what this domain is not. It is not a crypto landing page. It is not a list of someone else’s blog posts with my logo on top. It is not an empty AdSense shell waiting for a crawler to imagine content that is not here. The sentences on this page and the essays in Writing were written for excavationpro.ca. If a reviewer is looking for unique, human, on-domain text, they should find it without leaving.

How the music actually sounds

I work in experimental hip-hop and electronic texture. Verses sit next to long instrumental beds. Some pieces are short and punchy; others are closer to a late-night radio bed than a radio single. I do not chase playlist placement as the reason a song exists. I chase a feeling I can stand behind when I hear it six months later.

The public player holds a very large pack of original streams — on the order of ten thousand files in the free listen set, with ISRC identity on a large share of the catalog. That number is not a marketing boast so much as a logistics fact: I encode public streams so a stranger can press play in a browser without creating an account. Spotify and YouTube Music carry a subset of the same artist identity if you already live on those apps.

Featured artists and third-party samples, when they appear, are credited. I do not grant rights I do not hold. If a credit is on a track, assume that person’s share is theirs.